Everything We Make
From £59.99
This is the artwork at its purest — Giclée printed on 200gsm enhanced matte fine art paper with a smooth, glare-free surface that brings out every line, wash, and colour shift. The paper comes from sustainable forests and the pigment-based archival inks are fade-resistant for years of indoor display. No frame, no glass, no decisions made for you.<
Prints are for people who already have a frame they love, who want to visit their local framer for something bespoke, or who are choosing a gift and would rather not guess someone else's interior style. They are also the most affordable way into the collection — a way to live with a piece of art you genuinely love without overthinking it.
From £89.99
Framed Print
Same premium paper, same Giclée printing — but this time the work is done for you. Each print sits behind a conservation-grade, acid-free mount in snow white, set inside a solid wood frame with a satin laminate finish. The glazing is Perspex rather than glass: lighter, shatter-resistant, and far more forgiving in a household with children, dogs, or the occasional riding boot left where it should not be.
Hanging hardware comes fitted. You unwrap it, you hang it, you are done. This is the format people come back to again and again for gifts — because the person receiving it has nothing to do but decide which wall deserves it.
From £79.99
Canvas
There is something a canvas does that paper cannot. The 400gsm artist-grade cotton has a fine, tactile texture that gives the artwork physical depth — you can see it shift as the light changes through the day. Stretched over a 38mm European pine stretcher bar with the image wrapping around the edges, it arrives ready to hang with nothing between the art and the room. No glass, no frame, no reflections. Just colour, texture, and presence.
The inks are UV-resistant with a 100-year colour guarantee. The finger-jointed corners resist warping. Larger sizes include wooden wedges for re-tensioning if it ever needs it. But honestly, what sells a canvas is not the spec sheet — it is the moment you hang it and realise the room has changed.
From £109.99
Framed Canvas
If you have ever walked through a gallery and noticed how the framing makes the art feel important — that is what this format does. The same artist-grade stretched canvas sits inside a solid wood frame, but with a 5mm floating gap between the canvas edge and the frame. That narrow border of shadow gives the piece a depth and formality that transforms it from wall art into something you stop and stand in front of.
At 53mm deep from the wall, these have real physical presence. They are the format of choice for feature walls, large living rooms, and hospitality spaces — hotels, guest houses, holiday lets — where the art on the walls says something about who you are and how seriously you take your space.
From £169.99
Panoramic Canvas
Some scenes refuse to be square. The panoramic range is created at a full 3:1 sweep — a lake shore end to end, a ridge line at dusk, a whole valley in one sweep — composed for the wide frame from the very first stroke, never cropped to fit it. The same 400gsm artist-grade cotton canvas, stretched over solid 38mm pine, arrives in a float frame: a 5mm shadow gap lets the canvas hover inside the wood, gallery-style. Six finishes — Black, White, Natural, Brown, Antique Gold, and Antique Silver — in two sizes: 30×91cm, or a commanding 51×152cm. For the wall that has been waiting for something this wide.
From £89.99
Travel Posters
A poster is a place in a style. We draw the Lakeland places people come back for — Buttermere, Catbells, Wast Water, Striding Edge — and each one is made in several printing traditions: the flat inks of a 1930s railway screen print, Swiss modernist geometry, Japanese woodblock, and more besides. The place is the subject; the style is the treatment. Buttermere in railway poster colours is a genuinely different picture from Buttermere in woodblock, and both are honest to the fell in front of them.
Printed on 200gsm enhanced matte fine art paper and framed in solid wood with acrylic glazing rather than glass, hanging hardware fitted. Three sizes up to 50 x 70cm. They hang well alone and better in threes — one place in three styles, or three places in one.
From £89.99
Wainwright Posters
Every one of Alfred Wainwright's 214 fells on a single square sheet, in one of three arrangements. The grid sets them in an ordered block, name and height beneath each. The rosette winds them into concentric rings, each name arced over its own circle. The hex chart gives every fell a hexagon, coloured by which Pictorial Guide it belongs to, so the seven books read as seven regions.
The names and heights are Wainwright's own, taken from the guides, so the numbers on your wall are the numbers a bagger knows. Framed in solid wood with acrylic glazing, in three square sizes from 40 to 60cm. For anyone walking the round, or anyone who finished it years ago and still counts.
From £44.99
Wainwright Maps
A relief map of the whole district with all 214 fells marked on it and named in a key down the sheet — the one poster here that is a map before it is a chart. Every summit sits where it actually stands, so the ridges read as ridges and you can trace a day's walk across it: the Fairfield horseshoe, the Coniston round, the long pull along High Street.
It is sold at one size, 50 x 70cm, and that is a measured decision rather than a soft launch — the key names 214 fells, and at any smaller sheet the type stops being readable. Choose it framed in solid wood with acrylic glazing, or as the print alone if you would rather frame it yourself. It is the only piece in the range we sell unframed.
£24.99
2027 Wall Calendars
Thirteen pictures chosen for the year — a cover and twelve months, each printed above its own date grid. Some calendars follow a single place through the seasons, some gather the work of one of our artists, and some range across the whole district. The months are chosen in season rather than at random, so the snow falls in December where it belongs and the bare fells arrive in February.
A4 landscape, 29.7 x 21cm closed and 29.7 x 42cm hanging open, printed on 300gsm silk with a matte finish and Wire-O bound so it lies flat against the wall. Twenty-six pages. Where a month's picture is also sold as a print, the listing says so.